Wednesday, December 29, 2010

post growth


i'm always working on taking pictures. i figure that great lighting is the key to great pictures. so, mastering lighting is the most important thing i can do. however, every now and then i realize that lighting isn't everything.

for example, this picture. i took this picture a year ago. i processed it, decided it wasn't very good, and left it to sit on my hard drive, forgotten. then the other day i was going through my old pictures and i came across it. so i reprocessed it, and decided it was decent. so here i am posting it.

what's interesting to me isn't how i thought it was crap, and now i think it's good. the interesting part of the story is that how i go about doing my post-processing has changed dramatically in the last year. i used to emphasize dark, ominous shadows and heavy handed contrast. now i emphasize a wider tonal range and crispness.

i think the best thing about my day-to-day practice regimen is that i have to go from start to finish, all the way through the process. set up lights, take pictures, edit pictures, run post processing, photoshop where necessary, export, post..... by practicing the entire workflow, i slowly, gradually improve step by imperceptible step. until a year later i can rework an image from something crap into something decent.

Tuesday, December 28, 2010

2010 is almost over.....

in the last year, i took 25,700 pictures. i like to think that if you show up and do the work, the results will come. so while i'm pleased that my shutter count is up there, i wish it were much higher. but i'll get there.

Thursday, December 9, 2010

headshot


this is a professional headshot i did for Dr. Paulina Caban ND. it's the typical headshot setup, beauty dish high camera right, reflector under the chin, i put a large-ish octa-type light behind her, to make it super easy to get a clean white background. i'm pleased with how it came out. it's a good moment, good viewer interaction, and a hard-to-mess-up lighting setup. done and done.

Monday, November 29, 2010

back in the lab


split lighting. man, i have never really cared for it. but i figured i should probably explore it anyways, just to make sure i'm not missing something amazing that everyone else has figured out years ago. 

anyways. so this is my interpretation of it. i've got a big soft fill floated out in front of me to throw a lot of wrapping light onto the dark side of my face, and then a gridded snooted 3 degree flash basically doing an accent light on the left side of my face. add a light for the background, and a light into a reflector on the floor for a bit of up bouncing light, and there it is.

one thing i do like is how the accent/split light is defining shape and texture across my face and clothing. i could definitely see using this technique to define someone's musculature and edge out every muscle group, while at the same time not letting the shadow areas go to black.

so that's something to keep in mind.

setup shot: